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I actually never ate this growing up either. But will definitely be trying it out soon.
2·6 months agoThank you!
The only thing I’ve liked her in was the Suspiria remake. It was surprisingly pretty good.
11·6 months agoLeon is such a good movie. One of the first of the Oldman unhinged performances I can remember.
Daniel Craig is so great in that movie. I’m here for the Daniel Craig funny accent universe.
6·6 months agoI’ve added you as a mod to c/gaming. I left Hurts on as he’s one of our Top Mods and I’m not sure of his status at the moment. Good luck and thanks for volunteering!
The list. I was surprised Terminator 2 wasn’t added yet, but I’m glad to see it.
- “A Movie Trip Through Filmland” (1921)
- “Dinner at Eight” (1933)
- Bohulano Family film collection (1950s-70s)
- “Helen Keller in Her Story” (1954)
- “Lady and the Tramp” (1955)
- “Edge of the City” (1957)
- “We’re Alive” (1974)
- “Cruisin’ J-Town” (1975)
- “¡Alambrista!” (1977)
- “Passing Through” (1977)
- “Fame” (1980)
- “Desperately Seeking Susan” (1985)
- “The Lighted Field” (1987)
- “Matewan” (1987)
- “Home Alone” (1990)
- “Queen of Diamonds” (1991)
- “Terminator 2: Judgment Day” (1991)
- “The Nightmare Before Christmas” (1993)
- “The Wedding Banquet” (1993)
- “Maya Lin: A Strong Clear Vision” (1994)
- “Apollo 13” (1995)
- “Bamboozled” (2000)
- “Love & Basketball” (2000)
- “Twelve Years a Slave” (2013)
- “20 Feet From Stardom” (2013)
Right! I love Alex Garland so I’m in just off of him being involved. But the premise, Jesse Plemons and Kirstin Dunst (fantastic in Fargo season 2), and Nick Offerman have me hyped.
So sad. I know he’s mostly known nowadays for Brooklyn 99, but I first remember him from Primal Fear.
2·7 months agoOf course, I think OP just saw the taglines that referenced it and wasn’t aware of the actual community posts. I’m one of the leads of the Community Team, so could, naturally, tell you more, haha. Thanks for subbing!
Hey there, Community Spotlight is a community and weekly post, that we feature, for communities that we find interesting and want to highlight. Every week, we highlight a LW as well as a Fediverse community. You can submit your suggested community by commenting on any Weekly Spotlight post or contacting the Community Team. You can also join our public Discord server and comment your suggestions in the #community-spotlight channel.
Hey there, Community Spotlight is a community and weekly post, that we feature, for communities that we find interesting and want to highlight. Every week, we highlight a LW as well as a Fediverse community. You can submit your suggested community by commenting on any Weekly Spotlight post or contacting the Community Team. You can also join our public Discord server and comment your suggestions in the #community-spotlight channel.
Hey there, Community Spotlight is a community and weekly post, that we feature, for communities that we find interesting and want to highlight. Every week, we highlight a LW as well as a Fediverse community. You can submit your suggested community by commenting on any Weekly Spotlight post or contacting the Community Team. You can also join our public Discord server and comment your suggestions in the #community-spotlight channel.
It truly is. Smoother animation and so much detail.
I found this Reddit comment that I think explains the movie pretty well. I agree it can go over your head easy but this makes the most sense to me and is closest to how I felt about it.
https://www.reddit.com/r/movies/comments/189iju6/the_boy_and_the_heron_is_beautiful_and/kbtzvns/
spoiler
The film is not about Mahito’s “quest” to find Natsuko. It’s about his “quest” to overcome his grief / anger / bitterness and persevere in an unjust and cruel world, and his ability to find Natsuko and accept her as his new mother is just one aspect of that.
I don’t agree that the last half of the movie is vague at all. The general thematic thrust is very clear: “I am dying soon and the fabric of my reality is coming apart; you can follow in my footsteps and try to control everything until the bitter end, or accept that life is chaos and you can only control some things so try to enjoy what you can.” The main themes are death and rebirth. Mahito, in meeting a younger version of his mother (Himi), finally gets closure about her death (“I’m not afraid of fire”), even as she passes him onto her sister Natsuko, who is both Mahito’s “new mother” and also literally pregnant with a new child.
The plot is pretty simple and makes sense when you don’t overthink it. My take is that if you see it again, knowing how the film is structured, it will be easier for you to understand.
Natsuko is called to the tower because she is part of the uncle’s bloodline. (Kiriko mentions “We maidens can’t hear the tower master’s voice.”) The tower master intends to keep the baby as his successor. Himi makes it clear that the Tower Master expects to keep Natsuko and her child there forever, and initially suggests Mahito give up and go home. So the stakes for Mahito are that he loses his “mother”/family AGAIN. The “taboo” of entering the birth room is probably a part of the religious beliefs of the parakeets relative to their “Lord”/God, who is the Tower Master, but it has echoes of the Japanese myth of Toyotama-hime , who turned into a dragon while giving birth and devoured her husband for breaking the taboo – the papers in this film, with their sharp teeth, resemble a dragon as well. She says she hates him because she and the chamber are in the clear possession of the meteor, which understands that that is one of the worst things she could say to him (whenever you see the electric sparks, that is a sign that the meteor is reacting). Natsuko escapes at the end of the film because the stone implodes and no longer has control over her.
Mahito does reflect on this choice between his two encounters with his granduncle. In his first encounter he derides the stone blocks as being “full of malice” since they are tombstones. He awakens from his slumber and witnesses the lengths to which the parakeets will go to confront their “Lord.” Then on his second encounter, he realizes it’s actually himself that is “full of malice” (signified by his self-inflicted wound) and that he isn’t worthy of becoming a God. It seems you missed the idea that the tower master, via the meteor’s power, has control of space and time – the tower master is responsible for the suffering of the pelicans, the wara wara, the parakeets, etc etc. It is a “perfectly balanced” world by his standards, and he offers Mahito a chance to “build his own tower” and create a world of beauty and harmony. He says this very explicitly.
This is a matter of taste but I don’t know why you would look for that sort of melodrama from a Miyazaki film. When Chihiro is reunited with her parents in Spirited Away, they don’t hug and cry and get emotional. In The Wind Rises, Jiro is so disaffected, he can barely communicate his love for his wife even as she withers away in front of him. Miyazaki is about conjuring genuinely intimate moments between human characters with all their fears and faults, and I would argue that the low-key tea and jam Mahito shares with Himi is 100% more beautiful and emotional than “a tearful reunion” would have been, given that Mahito is so emotionally damaged. It seems clear to me that he recognizes she’s his mother on a fundamental level as soon as he eats her bread, which “is just like my mother used to make” (which is also after she tells him that Natsuko is her sister). We as the audience basically know Himi is his mother the first time we see her. So why would Miyazaki feel the need to include some sort of “reveal” scene? It’s not a Hollywood film. He respects our intelligence as viewers too much to do that.
Most of Miyazaki’s films are filled with “unexplained” magic, logical leaps, etc. This one is just ingeniously designed to keep you asking questions – which is why the original title is “How Do You Live?”
EDIT: Copy/pasted comment in case you don’t want to go to reddit.
I’d definitely recommend seeing it. It’s really nothing like Spirited Away outside of both having a kid going into another world. The themes have some crossover but are not really the same.
Well I very much enjoyed it. It’s perhaps Miyazaki’s most beautiful film. There’s so much detail and the animation is top notch. I was particularly impressed with the sound design.
I saw the English Dub, since I’ve never watched any Ghibli film dubbed before and this has a stacked cast. Ill rewatch it in Japanese at some point. They were all great, especially the kid who plays Mahito, Luca Padovan. Christian Bale, while good, felt a little like he was in a different movie with his regional American accent he was doing, that no one else did. Robert Pattinson’s voice was completely unrecognizable and I continue to praise him despite all the people hating on him because they only know him from Twilight.
The themes of getting over grief/anger are present like a lot of Ghibli films and they are done so well here. Well deserving to be Miyazaki’s last film and a great addition to his legacy.
431·7 months agoIMO, on the Game Awards where it was announced, he looked extremely nervous to say much of anything. And he seemed like he was trying to downplay what the game has with his comments on it being a small team working on it. Which I don’t blame him.
I’m in agreement with most said here. Users of other instances wouldn’t know of our TOS and rules generally. But also, our TOS is for access to “the website” i.e. lemmy.world. Users on other instances are not using this website, technically. They are accessing information originated here. It’s a complicated situation because of the nature of federation.
Personally, I would try to manage LW users specifically when it comes to age restrictions as those are the ones who agreed to our TOS and age requirement. So basically, if a LW user is known to be under 18, take action, and if a user from another instance openly says they are under 18, then take action. Explanation is up to you.
I’d say, unless the “other account” directly and openly states that Lemmy account XYZ is definitely theirs, and someone else directly reports it to you, I wouldn’t worry about what they might or might not do on other instances. You’re only responsible for for own community, not for the entirety of the Fediverse.
Yes, love this explanation.
…but again: polite warning and explanation first, always. Explain instead of punish, because they might not be aware that they even did something wrong. Give them the chance to fix their mistakes first, and only take action if they’re unwilling to do that.
And this is most situations in general, not just age issues.
Added you.
And no, I post every one manually. I do use https://schedule.lemmings.world/ to schedule them in advance and automatically pin/unpin though. Unfortunately we still don’t have any advanced tools in Lemmy yet. Thanks for volunteering!