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Cake day: September 22nd, 2024

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  • I’m not hoping for anything other than marginally increasing class consciousness in a handful of people. Electoralism won’t accomplish anything, but if he can shift the Overton Window just a smidge to make Socialism be a bit less scary to some people while at the same time showing how the “lesser evil” democrats will fucking annihilate anything to the left of Bush Jr. then he’ll have done his job.

    I just hope that leftist groups in the US, particularly New York, see this as an opportunity to stuff some actual theory down the gullets of all the baby birdies lined up gawking at Zohran and what the democrats are gonna do to him between now and November.


  • The Expanse is a wonderful show. It’s a slow burn with how they rearranged some things, but seasons 3 & 5 in particular are some of the best stuff I’ve ever seen. They take the great premise but questionable execution of the books and turn it into something truly amazing. It also has a hard sci-fi foundation that is quite rare and follows it pretty faithfully.

    Tap for spoiler

    In particular I absolutely adore how they handled the first entry into ring space and particularly Drummer and Ashford in season 3. They combined a lot of characters and plots, gave them a more realistic foundation, and trimmed the fat. And in turn we get a story with white knuckle pacing where the antagonist isn’t a villain, but a person trying their best in an impossible situation.

    Battlestar Galactica is another I’ll always recommend. It has plenty of issues, but despite those flaws it manages to achieve incredible heights. You can still see its influence on sci-fi today. People love or hate the ending and last season and what they did with some characters and blah, blah, blah. There is a reason people still argue about this show nearly 20 years later. It’s worth arguing about.




  • Not necessarily. Keeping them illegal allows the state to eat their cake and have it too. It gives them leverage over those using it illegally, access to black markets, and the ability to use it as justification to arrest and commit violence.

    Demonize it enough, like the US has, and your stormtroopers have carte blanche to crack skulls and step on necks of whomever is needed to solve the “drug problem”. That demonization is waning from its 90s highs, but it’s still a very useful tool for the state.

    With drugs illegal and popular in counter-culture movements you can use it to weed out the population. White kid with an ounce of weed? Slap on the wrist. Brown kid with an ounce of weed? 5 years of slavery. Just casually reinforcing racism and oppressing minorities.

    If they catch someone the state really doesn’t like then they have leverage. Rat out your friends, become an informant, or face prison.

    I’m not necessarily against chemical exploration, but the capitalist police state will weaponize it by supplying the black market with cheap drugs, encouraging their use in revolutionary, counter-culture, and minority communities (among others), then scraping up anyone they don’t like. The damage left in its wake is inconsequential.








  • There have been some newer CRPGs that do this. Pillars of Eternity 1 & 2 and Torment: Tides of Numenera were part of a revival of the genre that used pre-rendered backgrounds to great effect. There is also a mod for Pillars of Eternity 1 that enhances the pre-rendered backgrounds too as the originals are starting to show their age a bit because of the compression they used.

    Disco Elysium also takes a lot of inspiration from the genre, including the gorgeous pre-rendered backgrounds.

    I can’t recommend all 4 games highly enough. Disco Elysium may be the clear winner, but Pillars of Eternity 1 & 2 and Torment: Tides of Numenera are very good games too. Pillars in particular has some very wonderful characters in both games that have since gone on to live rent free in my head alongside greats like Garrus and Kreia. Which if you’re familiar with Obsidian and Chris Avellone’s work he wrote two characters in Pillars 1 specifically, Durance and Grieving Mother that are absolutely amazing and deeply compelling characters.

    Bit of a rant, but I love these games and would highly recommend them to anyone who likes narrative heavy RPGs. Although Pillars 1 & 2 have some really crunchy combat they also have story modes that make it easy if you’re more into the narrative than combat.




  • That isn’t to say that the show has any kind of extra-personal analysis, it doesn’t. The show is rooted in and based on liberal vibes based non-analysis. It understands that there is something wrong in the American culture that produces people like Walter White, filled with cowardice, impotent rage, greed, and pride, but never thinks about analyzing how, why, or what is wrong with American culture. So the show falls back on intra and inter-personal analysis. How Americans abuse each other because they can’t address their actual issues because of pride and cowardice.

    The Wire does a much better job of analyzing the larger picture, even if it is also a fundamentally liberal analysis. But as much as I love The Wire it doesn’t foment the white-knuckle tension and rage as well as Breaking Bad does. But that mostly comes down to storytelling style I think. The Wire plays out very realistic while Breaking Bad uses Tarantino-esque hyper-reality as dramatic flair to heighten the narrative.

    Anyways this is just rambling now. I like the show a lot, for a lot of reasons but mostly for the drama and cinematic flair of it all, not because of its biting criticism.

    That all said I did have issues watching it the first time. I had to stop in the middle of season two because I hated Walter White so much. But when I went back into it with the understanding that Walter was the antagonist and Jessie was the protagonist I enjoyed it quite a bit.


  • I’d have to disagree. The whole show is about how Walter allows his pride devour his life. He’s too prideful to accept the handout from his former business partners. He gets a taste of being powerful and good at something, something he felt was stolen from him by said former business partners, and his pride feeds on it.

    The show only wants you to root for him in the first season. By the second season Walter is the antagonist and Jessie is the protagonist.

    As Walter’s ambitions become more grand and his pride grows and grows he eventually gets got, all his mistakes and failures finally ruin him.

    Ending Spoiler

    The last episode puts this plainly. Walter rescues Jessie not to help Jessie, but to try and clear his own conscience. He only does it so that someone, anyone, looks at him fondly. Since he destroyed his family that just leaves his protégé.

    Then he shows his true colors by crawling into the lab, his place of contemplation and pride and destruction, and finally dies.

    Walter White is a man only to be pitied and reviled. Chuds look up to him because of course they do, they can’t understand that the show is mocking them and showing them that their own arrogance and pride destroys everything around them. Almost every time Walter is “badass” is when he’s abusing others or he’s lying. He’s the definition of a coward and paper tiger.

    You’re supposed to hate him, not love him.




  • I think part of it is that for a westerner to confront the fact that overpopulation isn’t an inherent issue, we have abundant resources to handle a huge population, then they’re forced to confront that it’s an issue of resource allocation. And when that happens westerners are programmed to start screaming about commies the same way that they imagine dirty peasants used to scream about witches. So for the last god knows how many years anytime western media has a narrative that needs to confront the issue of resource allocation they skirt the problem by saying there are too many people and that’s the real issue. That and the implied racism of saying the problem is overpopulation is killing two birds with one stone, so it’s a narrative that stuck around in western media and became a convenient misdirection.