Or the people who say that are obsessed with subtlety and want everything to conform to the Western standards for art due to cultural hegemony brainworms? Sometimes I feel very guilty for engaging with this sort of media instead of something more “serious”

  • Evilsandwichman [none/use name]@hexbear.netEnglish
    1·
    10 months ago

    Or the people who say that are obsessed with subtlety and want everything to conform to the Western standards for art due to cultural hegemony brainworms?

    This. I wouldn’t be surprised if the people who say this are the sort who if they even give anime the time of day, watch the English dub because they refuse to watch it in the original dub and read subtitles (not that I wouldn’t watch English dubs; I still refuse to watch DBZ in Japanese for example because Goku’s voice is screechy AND YES I KNOW GOKU IS VOICED BY AN OLD WOMAN STOP TELLING ME).

    Even among well meaning libs, I think they’re just really sheltered from the rest of the world and have no idea how different other cultures can be. The lib I know believes the only reason non-Westerners prefer their own media is because they’re not exposed to American media (which he considers peak cinema).

  • Gosplan14_the_Third [none/use name]@hexbear.netEnglish
    0·
    10 months ago

    A lot of it is based on assumptions, stereotypes and worst of examples of the medium - generalizing it all

    “1000 year old dragons”, Isekai, squealing voice actresses, incest, mindless fighting for no reason, catgirls, giant robots, hentai, etc.

    Stuff that is not absent from Anime (the reputation had to come from somewhere, I suppose), and people instead just prefer to follow no investigation, but I’ll speak anyway.

    Add to that bad reputation, some racist presuppositions against Japanese people, and for leftists “they did WW2, they’re more morally bad and their art is to be mocked”. Also, the main demographic of Anime and Manga are young people, teenagers. Shounen and Shojo for example; very common.

    It is of course possible to create meaningful, mature art within the medium, even within the confines of works that usually wouldn’t count. Oshii’s Patlabor 2 or Urusei Yatsura 2 for example.