Kelsey Grammer sounded curt this morning when he brusquely told a BBC Today program interviewer that he still supports Donald Trump but, according to his interviewer, this curtness doesn’t tell the full story.
Grammer’s interviewer Justin Webb said the Frasier star was “perfectly happy” to go on talking about his support for the former POTUS, “the Paramount+ PR team, less so.”
Grammer has previously expressed support for Trump – a relatively rare position for a TV and movie star to take – and he also used his BBC interview to back Roseanne Barr, another self-confessed Trump supporter.
Original Frasier is still one of the all time amazing shows. And that is almost entirely because of the “supporting cast” of David Hyde Pearce, John Mahoney, Jane Leeves, and Peri Gilpin. It is 100% still worth watching and it is even clear what episodes/seasons they were working around Grammer being coked out of his mind or otherwise problematic.
Its not quite Person of Interest’s (paraphrasing only because I can’t look up the specific wording right now) “he is like a dog that pissed everywhere and wouldn’t stop talking about hitler” mess, but Grammer also generally seems more like a dumbass Bush-era Republican as opposed to a full alt-right lunatic. He is a piece of shit who has condoned a LOT of hate, but is also “a product of his time” as it were.
As for new Frasier? I am a lot less interested in watching that. Mostly because, as so many of us point out, “They did a Frasier spinoff starring the worst character”*
But OG Frasier? The show increasingly became focused around Niles (which makes sense since Niles was a lot closer to what Cheers-era Frasier actually was) and David Hyde Pearce put on multiple master classes as he and the writers somehow managed to perfectly capture “the adult millennial” years before we even existed. And so many of the interactions with Martin (Mahoney) hit so much harder as you have lived a lot longer and had to acknowledge the failings of others. Daphne and Roz were often stuck in comic relief mode, but Leeves and Gilpin still kick ass when they are given a chance to shine. And, piece of shit that he is, Grammer can pull off an epic monologue to close out an emotional arc and leave you on the verge of tears, right before you burst into laughter at the punchline.
*: Also, it very much bothers me that Freddy became Martin. Maybe they go into it more, but his childhood very much established him as the offspring of Frasier and Lilith. And while it makes sense that he would rebel against his overbearing parents to be like his fun and “man of the people” Grandfather, it is completely unearned. Maybe the back half of the season does that but… I still think that having one of Niles’s children (maybe a daughter) as the Martin role would be a lot more fitting. Niles dealing with a Firefighter child is comedic gold and Niles and Daphne are much more likely to “let their kids be who they are”. And it would play on The Moon Genes fears of the last few episodes.
I would have given the benefit of the doubt until the Roseanne part. My condolences to the good people whose creative work will go unseen.
flushing sounds
This is amazing, gonna use it
Yeah, it’s pretty crap. Are there any reboots that have the original cast and weren’t just plain horrible? I’m thinking Matrix 4, but that worked because it was a parody of itself.
We’re still in his time. I don’t think we should excuse people by saying they’re a product of their time until they’ve been dead for a while.
Its not excusing so much as acknowledging the different tiers of asshattery.
If you want to go full zero tolerance: more power to you. But you also are going to more or less have nothing to watch
I don’t know that I’d list Frazier as one of the all time amazing shows. That’s something I’d reserve for shows like Schitt’s Creek, Good Place, and The Wire. A show like MASH. All in the Family, which surfaced so much of what was happening in society at the time. The Jeffersons.
I’d rank Frasier closer to something like Friends or Dharma and Greg. Definitely below Seinfeld or 30 Rock. It was funny. It had good writers and the characters exhibited a chemistry that made the show work as a show, but beyond that it was pretty ephemeral. That’s just my opinion.
A lot of it is the idea of “seinfeld isn’t funny”. Seinfeld was fairly revolutionary at the time because of how it approached humor, pacing, and even character “design”. It is just that it also influenced almost every single show that came after season 3 or 4 so a lot of people who didn’t “grow up with it” won’t really “appreciate it”. But that also manifests it as being the kind of show that “ages well”. Its why TBS still shows Seinfled reruns to this day and people still go for a re-watch.
And Frasier is very much in that same category. Character arcs were very much ahead of their time and the nuance that Niles, Martin, and even Frasier were allowed to have still stands up today (and puts the reboot to shame). Its “cheating”, but there is a reason that Cheers, which was arguably the most popular sitcom on television during its run, is now mostly viewed as the show Frasier spun out of. Its the kind of writing and pacing that largely could be on TV today… because it was so influential.
Friends is the odd one out. And I think, ignoring all of the “Wow everyone was horrible” and “Ross is a psychopath” memes: It very much defined what shows like How I Met Your Mother would become. I don’t think it holds up anywhere near as well as Frasier, but that is also because Frasier largely ended a year after their shit season and had the payoff of Niles and Daphne’s child. Friends… continued for another five or six with the main thread being “Oh, I guess we are doing a will they or won’t they with Ross and Rachel again?”
Like, you reference The Good Place which I also put as one of the all time greats. And that, as well as Parks and Rec before it, very much benefited from shows like Frasier that show you can truly do the multi-season emotional arcs in a sitcom where you alternatingly laugh and cry. And Chidi has a LOT of Crane DNA in him as he is simultaneously mocked for being a “hoity toity, barely functioning, intellectual” while also having so much of the show’s emotional and narrative weight put on his shoulders. We laugh as he has a nervous breakdown over having the future of everything put on him but we are also right there with him and rooting for him to find The Answer. He is a goober but, bah gawd, he is OUR goober and if he needs to make a big vat of chili to function then let’s go to the mother fucking store.
Sometimes you have shows like Veronica Mars. It was SPECTACULAR for what it was but… not a lot of people are going to be arguing for newbies to really watch it. But it also laid a lot of the groundwork for shows like iZombie which… look, I love that show but I am also not going to really be encouraging people to watch it at this point. Whereas Jessica Jones has a LOT of the same DNA and… Season 1 of that is spectacular and holds up.
Whereas something like MASH is arguably the genesis of a lot of “very special episodes” that everyone hates. But it very much popularized the idea of “the sad clown” dealing with horrible stress and strain (which would be the basis of shows like ER and even House) as well as a willingness to “poke fun at” some truly important contemporary issues even while giving them the respect they deserve. Which was obviously important in the 70s (hmmm) but is also a direct ancestor of shows like Boston Legal and Brooklyn 99 (and even The Good Place) that aren’t afraid to acknowledge things like systemic racism while also making us laugh because… the alternative is to just shut down. And while I don’t hear as many people say “you should watch MASH in 2023”, its best episodes are still held up as masterpieces.
And while I think All in the Family needs a lot more credit than it deserves, it was very much more of “a very special episode” rather than blending. And The Jeffersons (and the first season or so of Family Matters) is similarly incredibly influential but suffers from being “a black show”. Whereas something like Fresh Prince of Bel-Air found a way to get that to a wider audience who won’t clutch their pearls if they see Tyler Perry on screen.
This is expert level TV reviewing, thanks for the insights.
Hey, you like what you like. Nothing wrong with that. But Frasier set the record for most Emmys won (excluding SNL) for a TV show- it won 37 over its run. That record was only beat in 2016 by Game of Thrones. There’s nothing wrong with not liking Frasier, but being the current third-most-awarded show in television history says a lot about its quality.
I get that and I agree. I’m just differentiating between shows that were transformative for their viewers and ones that were “just” popular shows. Sometimes you get a crossover, like MASH, which was a very strong voice for post-Vietnam era America in which the idea of war and military service had begun to transform. We’ve lost ground on that one, of course, post-Reagan and especially after 9/11.
Like I said in another response, I see Schitt’s Creek as transformative in how it portrays LGBT persons and relationships by deliberately crafting a world in which prejudices (like racism and homophobia) do not exist. There are a number of shows that have over time led to the greater acceptance and normalization of the LGBT community, such as Queer Eye, but even a lot of those play to high camp tropes, and shows like Drag Race target the queer-and-ally communities more than being just a straight forward (sorry, couldn’t resist) sitcom.
In just my lifetime, we went from a world where Rock Hudson was closeted, Elton John and Boy George were flamboyant but not officially out, and where Nathan Lane worried that his epic role in The Birdcage would make people realize that he’s gay. There’s a great story behind that one. Before that you had the gay-coded villains like Vincent Price and comedians like Rip Taylor. Taylor never came out. Neither did Liberace.
I cite the Jeffersons similarly because the show came out as black Americans were moving from a civil rights struggle to a feeling of acceptance for and from the white American communities. The theme song Moving On Up embodied that social dynamic, while All in the Family lampooned the alternative vision of the white blue collar racist whose excuse was that he was just an “ordinary guy.”
I’d feel differently if Fraiser were to take a similar approach to mental health issues - normalizing and humanizing them, instead of playing them for gags. In my opinion, it was mostly about class dynamics with most of the humor involving the disconnect between the egotistical educated elite versus the real world. Contrast Fraiser’s relationship with his patients with that of the psychologist Sidney Friedman on MASH. By our standards today we could look at MASH and see homophobia and rampant sexism, but for its time it was humanizing, and Arbus’ character played into that narrative in most of his appearances.
Awards are awards, and at the end of the day they represent the opinions of the industry. I’m absolutely not saying they don’t matter. But people who watch a show like The Good Place (which explores absolutely fundamental issues of ethics and philosophy while still being a brilliant sitcom) have the power to change the way people think.
Wait, what was that about Person of Interest?
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Yeah. Caviezel is one of the very few people in hollywood who makes mel gibson look “not that bad”
It is truly amazing how the POI production crew managed to get such a good show out of him. And it makes it even funnier every time they put Reese in a mask so that they could have a fight scene where stuntment wouldn’t be at risk of being murdered.
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Jesus! This is Steven Segal or Kevin Sorbp level crazy.
A bunch of anal retentive closet homosexuals eating cheese in a cramped apartment, yeah top comedy right there.